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Jean Auguste Dominique Ingres Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04) oil painting


Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04)
Painting ID::  20465
Jean Auguste Dominique Ingres
Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04)
1845 Oil on canvas, 131.8x92cm Frick Collectin New Youk

   
   
     

Jean Auguste Dominique Ingres Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04) oil painting


Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04)
Painting ID::  20466
Jean Auguste Dominique Ingres
Portrait of Vicomtesse Louise-Albertine d'Haussonville (mk04)
1842 Oil on canvas 111.5x75.5cm Collection of Jan and Marie-Anne Krugier-Poniatowski. Geneva

   
   
     

Jean Auguste Dominique Ingres Portrait of Baroness Betty de Rothschild (mk04) oil painting


Portrait of Baroness Betty de Rothschild (mk04)
Painting ID::  20467
Jean Auguste Dominique Ingres
Portrait of Baroness Betty de Rothschild (mk04)
1848 Oil on canvas, 141.9x101cm private collection Paris

   
   
     

Jean Auguste Dominique Ingres Portrait of Princess Pauline-Eleonore de Broglie (mk04) oil painting


Portrait of Princess Pauline-Eleonore de Broglie (mk04)
Painting ID::  20470
Jean Auguste Dominique Ingres
Portrait of Princess Pauline-Eleonore de Broglie (mk04)
1853 Oil on canvas, 121.3x90.8cm Metropolitan Museum of Art, New York

   
   
     

Jean Auguste Dominique Ingres Portrait of Ines Moitessier (mk04) oil painting


Portrait of Ines Moitessier (mk04)
Painting ID::  20472
Jean Auguste Dominique Ingres
Portrait of Ines Moitessier (mk04)
1851 Oil on canvas, 146.7x100.3cm National Gallery of Art, Washington

   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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